Some Pretty Prints            

A collection of figures and flowers in paintings and prints

Drypoint on white, 10×8″ (2018)

Opens January 5, 2019
Show up through January 27th
Artist Talk Saturday, January 5th (3:30-4:30pm)
Opening Reception to follow (5-7pm)

Picture

Smith & Vallee Gallery
5742 Gilkey Ave, Edison
(360) 766-6230
Open Daily 11-5
www.smithandvalleegallery.com

 

 

 

Drypoint Prints

I’ve been working with the Seattle Artist League’s printmaking instructor Nikki Barber on producing a body of drypoint prints.

What is Drypoint?

Drypoint is a printmaking technique in which an image is scratched into a plate with a scribe. I’ve been using a diamond tipped scribe, and sandpaper. The scratched plate is inked, and then wiped, leaving the ink in the scratches and the burrs dug up by the deeper marks. Burrs separate drypoint from etchings or any other type of printmaking by giving the drypoint a distinctly soft, velvety line. Each run through the press compresses the burrs on the plate, so drypoint prints typically limited to about ten prints, and some of the designs in this collection have as few as three.

Drypoint on white, 10×5″ (2018)

 

More paintings and prints are in the works. Click here to receive a sneak preview of available artworks in your inbox, and get a chance to lay claim to your favorite picture before the show hangs in January.

 

 

Artist’s Statement

I buy myself flowers because they make me happy. They are colorful and fragrant, and have no purpose other than my enjoyment. As temporal sculptures, flowers mark time by dropping petals, and are to be enjoyed without procrastination. No matter how busy I am, the time to appreciate a flower is gently now.

As flowers shift my attention towards the now, so do people. Collaborating with models is a creative joy. For this series we used blankets and kimono patterned with flowers. We set up in diffused morning light, and the models moved slowly as I captured images in my camera. Photographs allow me to take more time with my paintings, and layer images to carve one moment’s form with another. The figure is an abstract of overlapping sensual shapes, now with an element of time. As each pose shifts, and we take advantage of the light, day to day, moment to moment, no person is exactly the same.

Drypoints were printed in collaboration with Nikki Barber, printmaking instructor at the Seattle Artist League. I scribed the plates and Barber printed them. Each image sparked a discussion of line, tone, and texture, and each print is a hand worked original. Since each print is hand inked with so much personalization to the wiping of the ink, no drypoint print is exactly the same. Each print is slightly different, and with each print the burrs that cause the velvet areas compress, and for this reason the marks that differentiate drypoints from etchings also mark the end of an edition. Once the burrs are compressed, the print is finished. Drypoints are known for producing editions of only about 10 and then they’re gone.

 


Looking for more?

Since launching the Seattle Artist League in 2016, most of my thoughts and ideas have been channeled through the school instead of my personal website. If you’d like to see what I’ve been up to, check my Facebook page, and V. Notes.